Iving Posted June 15, 2022 Share Posted June 15, 2022 So … I was just going about my business – archiving LPs etc – when I saw this ditty on the rear of the Michael Hoenig Album ‘Departure From The Northern Wasteland’: Repetition is the image of eternity in music The music of the past justifies itself for its limitation The music of the future is sparing itself this effort I wondered what Audiophile Style folks might make of this particular poetry. To me? Line 1 Repetition contributes significantly to the “form” [cf. philosophy] of music – has to do with brain no doubt – and to me language also. Cross-cultural. Universal. Line 2 My wife – a gifted soprano – jokes that there are only so many ways you can put notes together to make music. I disagree with her. Mathematically she may have a point. But not regards music as language. Perhaps Hoenig is intimating that repetition is more prevalent the more primitive the music. Line 3 The evolution of music avoids repetition. Artists want to be original. Frontier music (not cowboy stuff – rather, music just evolved) leans less on repetition for structure and appeal. Your thoughts welcome … I haven’t (yet) heard the Album … anybody know it? How the poetry and the music relate? Link to comment
The Computer Audiophile Posted June 15, 2022 Share Posted June 15, 2022 6 hours ago, Iving said: I was just going about my business – archiving LPs That's quite the business. Only joking. Founder of Audiophile Style | My Audio Systems Link to comment
Iving Posted June 15, 2022 Author Share Posted June 15, 2022 I know ... time for poetry ... hard life. I am very workmanlike about my archives! Got the bug yet? How many LPs to date ... one (RHCP 'Unlimited Love') and counting? Expected a conversion at/post Munich ... Link to comment
The Computer Audiophile Posted June 15, 2022 Share Posted June 15, 2022 3 minutes ago, Iving said: I know ... time for poetry ... hard life. I am very workmanlike about my archives! Got the bug yet? How many LPs to date ... one (RHCP 'Unlimited Love') and counting? Expected a conversion at/post Munich ... Haven't got the bug yet, but I listened to the Atmos version of this, told a friend about it, and he ordered the colored vinyl :~) https://store.deutschegrammophon.com/p51-i0028948627783/max-richter/the-new-four-seasons/index.html Iving 1 Founder of Audiophile Style | My Audio Systems Link to comment
Iving Posted June 15, 2022 Author Share Posted June 15, 2022 10 minutes ago, The Computer Audiophile said: Haven't got the bug yet I like "yet" :-) The Computer Audiophile 1 Link to comment
DuckToller Posted June 15, 2022 Share Posted June 15, 2022 I like Max Richter - in uncoloured stereo, though!! The Computer Audiophile 1 Link to comment
Popular Post christopher3393 Posted July 8, 2022 Popular Post Share Posted July 8, 2022 An old favorite poem that seems apropos: The Idea of Order at Key West BY WALLACE STEVENS She sang beyond the genius of the sea. The water never formed to mind or voice, Like a body wholly body, fluttering Its empty sleeves; and yet its mimic motion Made constant cry, caused constantly a cry, That was not ours although we understood, Inhuman, of the veritable ocean. The sea was not a mask. No more was she. The song and water were not medleyed sound Even if what she sang was what she heard, Since what she sang was uttered word by word. It may be that in all her phrases stirred The grinding water and the gasping wind; But it was she and not the sea we heard. For she was the maker of the song she sang. The ever-hooded, tragic-gestured sea Was merely a place by which she walked to sing. Whose spirit is this? we said, because we knew It was the spirit that we sought and knew That we should ask this often as she sang. If it was only the dark voice of the sea That rose, or even colored by many waves; If it was only the outer voice of sky And cloud, of the sunken coral water-walled, However clear, it would have been deep air, The heaving speech of air, a summer sound Repeated in a summer without end And sound alone. But it was more than that, More even than her voice, and ours, among The meaningless plungings of water and the wind, Theatrical distances, bronze shadows heaped On high horizons, mountainous atmospheres Of sky and sea. It was her voice that made The sky acutest at its vanishing. She measured to the hour its solitude. She was the single artificer of the world In which she sang. And when she sang, the sea, Whatever self it had, became the self That was her song, for she was the maker. Then we, As we beheld her striding there alone, Knew that there never was a world for her Except the one she sang and, singing, made. Ramon Fernandez, tell me, if you know, Why, when the singing ended and we turned Toward the town, tell why the glassy lights, The lights in the fishing boats at anchor there, As the night descended, tilting in the air, Mastered the night and portioned out the sea, Fixing emblazoned zones and fiery poles, Arranging, deepening, enchanting night. Oh! Blessed rage for order, pale Ramon, The maker’s rage to order words of the sea, Words of the fragrant portals, dimly-starred, And of ourselves and of our origins, In ghostlier demarcations, keener sounds. orresearch and DuckToller 1 1 Link to comment
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