Audio: Listen to this article.
I think it must be quite obvious that I am a fan of what the folks are doing at Schiit. Two new products from them have piqued my interest, a new Yggdrasil+ MIB DAC and gulp, a new more advanced phonostage dubbed Skoll. I know, vinyl is not a word that shall be uttered in these here parts. I could hear Chris groaning all the way over here on the East Coast 🤢 when I suggested it. However, once I assured him that I could use my audio superpowers to squeeze Atmos out of vinyl using MQA, he was all in. So, I requested some review samples and put these products through their paces. Issues do come up in the real world sometimes which have delayed this piece somewhat, but I am now ready to rumble.
YGGDRASIL+ MIB
As I am sure you will recall, after success with the original Yggdrasil and the iterations thereof such as the analog 2 board and Unison USB, Schiit released two new flavors of Yggdrasil, dubbed More is Less or MIL and Less is More or LIM. Chris was present at a blind shootout along with some other writers at the Schiiter, where they judged the three DACs. You can read about that here. I requested a review sample of the LIM to pit it against my original OG with the analog 2 board and Unison USB. You can read that review here.
As I noted in the review, despite the fact that the LIM used four 16 bit TI DAC8812 chips vs. the four 20 bit Analog Devices chips in the OG, I felt that the LIM was the superior sounding DAC. I guess quite a few folks agreed as the MIL DAC, the preferred DAC of Jason Stoddard, was discontinued. Since then, Schiit announced the Yggdrasil +, a fully modular Version of the OG and LIM, which makes upgrading the DAC far easier for the end user and makes for a nicer form factor as well. However, all good things must end, and as the OG’s Analog Devices chips were discontinued and obviously harder to come buy, the OG was discontinued as well, replaced by the More is Less or MIB which uses four TI ultra precision 20 bit DAC110018 and which costs a cool $400 more than the LIM. Are those extra four bits of resolution worth it? Read on.
Before getting to my sonic impressions I wanted to state the equipment used in formulating those impressions. My speakers are 1997 vintage Vandersteen 3A signatures being driven by a SMc Audio DNA 1 fully updated amp which in turn fed by a new build SMc Audio TLC-2 pre amp. More details about the SMc Audio products can be found here and here. I am using a MacBook Pro M1 chip laptop to feed all three DACs (the OG, LIM and MIB) via a DH Labs usb c to b cable. All cabling is vintage audioquest and all power by Essential Sound Products.
In my formal LIM review, I described the sonic differences I perceived as follows:
As for the sound differences between the LIM and the OG in my system, the LIM was the clear winner. Yes, less is apparently more. When I was a kid we used to hear about the importance of the 3 R’s, reading, ‘riting and ‘rithmetic. Well with the LIM, we have a new set of 3 R’s, resolving, relaxing and right. While the two DACs share a common sound, clear differences are heard in direct comparisons between the two. The LIM has a smoother sound. It is less edgy in the treble. The midrange is a tad warmer. The music, and I hate to use this term, seems to arise out of a blacker background, one that has less noise. Perhaps this reduction in noise results in the sonic improvements I hear.
I hear the same differences between the MIB and the LIM, but this time the MIB is clearly better, at least to these ears. I am mindful of the old adage that numbers never lie. Perhaps, but perhaps they do not always tell the full story. Despite resolution of only 16 bits vs. 20, the 16 bit DAC sounded best. Whatever TI did to modify the 20 bit chips, they made a significant improvement. I hear a much smoother sounding DAC across all frequencies. This DAC is so easy to listen to, for hours, being so natural and non fatiguing yet very detailed and dynamic. There is just more detail presented by the MIB even with very familiar recordings. There is a very open midrange with a greater sense of front to back depth. Front to back depth was never the Yggy’s strongest feature. However, the MIB improves on this yet keeps the expansive side to side soundstage. There is even greater separation between each object in the sound field. Bass is deeper yet more controlled. You hear more of the woody character of an upright bass. Pianos have a more accurate piano sound more clearly conveying the complex sound of the instrument. Guitar licks have more bite, kick drums more kick, with more accurate sounding cymbals and high hats on a drum kit.
There are a few recordings that best illustrate the improvements I am hearing with the MIB DAC.
First is An Evening at Charlie’s featuring Mel Torme and George Shearing on Concord. Mel Torme is one of my favorite jazz singers. He and George Shearing put out a series of excellent releases on Concord as a duo and with a trio. This release, recorded at an intimate club in DC, is my favorite. One track in particular, I’ll Be Tired of You, penned by Arthur Schwartz and E.Y. Harburg, was the song my wife and I picked out as our song at our wedding. My dad was a professional musician and suggested that I copy this song on a cassette so he could give it to the band that was performing at our reception. They did a decent job but at the wedding the band leader said my lord, could I have picked out a harder arrangement? Listening to this track through this DAC tells you why. George Shearing is simply playing beautiful and very sophisticated frills behind the vocal beautifully supporting Mel’s phrasing. There is clear space between the vocal and piano allowing you to clearly follow either. This is the type of experience I enjoy with this little hobby of ours.
The next recording is Scott Hamilton at Pizza Express Live London on PE records. I was fortunate enough to attend a performance by Scott and his band at this very venue in SoHo on January 2nd. This recording takes me right back to that evening. The recording wonderfully captures the big lush sound of Scott’s tenor we heard that night. Thrilling stuff.
Finally, and I could go on and on, is the Melody Gardot recording, Sunset in the Blue. In particular the first track, If You Love Me. The vocal is placed beautifully in front of the accompaniment with a string arrangement that has a lushness that the LIM can’t match, as good as it is.
To sum up, it is my opinion that the MIB DAC is the finest version of the Yggdrasil that Schiit has yet produced. It does everything that I love about high end sound right and is well worth the extra premium. The fact that it is capable of being so easily updatable with the new + form factor is icing on the cake. Very highly recommended.
SKOLL
Must people who know me know that I am a digital guy. Over the last ten years or so, my listening has been exclusively digital 100%. However, like anyone who first got into this hobby for real in the early 1980’s, I have accumulated over 500 LPs which I still own. As I noted in my TLC-2 review, I did not opt to have a phono card included as I thought I would add a separate phono stage for less money. In particular I had in mind the Schiit Skoll that I had heard at a friend’s place with Veloce electronics and the new MC Audiotech speakers. The phono stage sounded very good to me, especially given its price of $399. It seemed to me to punch way above its weight, having heard some phono stages costing many thousands of dollars.
The turn table I planed to pair it with was my VPI HW 19 Mark IV from 1992. The table is equipped with a rebuilt and retired Kuzma Stogi tone arm and a Clearaudio cartridge. A picture of the set up is below.
When the Skoll arrived, I had to reacquaint myself with the joys of vinyl. The Skoll seems to be very versatile with numerous settings for MM and MC cartridges, loads and outputs all easily set via a handy dandy little remote. Settings can even be adjusted on the fly. Thankfully, the turntable was able to function, as best as I could tell, flawlessly. It has been awhile after all. I have quite a few albums that I enjoy on vinyl only and it was quite a bit of fun to listen to these records through my updated system. Yes, even though I had to get up over and over and turn the platters over let alone clean the records before each spin. To get good sound, one has to take the good with the bad or in this case, the inconvenient. I was quite impressed with the sound reproduction through the Skoll on virtually all albums I played.
The real test was to pit the Skoll up against the MIB with recordings I had on both vinyl and digital. I picked a few pictured below. While I did not have the DCC CD release of Nat King Cole’s Love’s the Thing, I was always very impressed with the sound quality of this pressing so included it for evaluation. The results?
Well, the head to head comparisons were closer than I expected. Tonally the presentations were similar. Details and space through the Skoll was very good. Where the Skoll fell a bit short was in the noise floor which was higher. Some low level detail, like Jeff Hamilton’s low level stick work on In a Mellow Tone on Montreux Alexander was a bit obscured, clearly by the surface noise. I also thought that the bass was not as deep and detailed as on the MIB. Sibilance on vocals was just a bit more pronounced through the Skoll. While I could not hear as deep into the sound field with the Skoll, the presentation of familiar recordings on their vinyl counterparts was still damn impressive.
As for the Nat King Cole recording, it was as good as I remembered it. His voice hung in the room right before you. Quite spooky an experience The strings were never harsh as string recordings from that time period often are. Not quite as sumptuous as on the Melody Gardot album, but very close.
The only real drawback I encountered with the Skoll was low level hum. I was not able to get rid of it. It is possible that it is the fault of the turntable. However, it was low enough that I never heard it when actually playing music. Therefore, it never negatively affected my enjoyment of the music produced through the Skoll. All in all, I thoughtfully enjoyed my foray back into the world of vinyl with the Skoll and look forward to rediscovery some of the old chestnuts in my vinyl collection in the future. The Skoll is quite a bargain.
BTW, do not ask for the Atmos files extracted from vinyl using MQA. NASA and the DIA has not permitted me to distribute them. Pity.😎
Joe Whip
Product Information:
Schiit Audio - Yggdrasil More is Better (MiB): Price $2,699 (black) / $2,799 (silver)
Yggdrasil More is Better (MiB): Product Page
Purchase: Where to Buy
Schiit Audio - Skoll: Price $399
Skoll: Product Page
Purchase: Where to Buy
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